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The brief for this project was to chose one of Vignelli's six favorite fonts and then investigate it by creating 100 unique typographic experiments. The aim was to explore the fundamentals of composition. Each composition could consist only of a single letter form, without any repetition or duplication, and had to be 100% black and white. Then we had to design a publication featuring 50 of our experiments and typeset it with Beatrice Warde's essay, "The Crystal Goblet" in our chosen font. My chosen font was Futura.

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